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A Review of Lou Reed's Berlin PDF Print E-mail
Written by joseph anderson   
Tuesday, 22 July 2008

from Berlin
from Berlin
When Lou Reed originally released Berlin in 1973, it was met with complaints from critics calling it ‘dour’ and ‘morose’. Apparently, these critics have never read some of the finer examples of classic literature.

 

 

 

And Berlin is closer to a good book then a traditional rock and roll album.

 

Despite these unfair labels, we can clearly see that the musicians are having a ball performing. There’s a lot of interplay between them. And yes, even Reed himself is smiling and playful at times. And there’s great chemistry him and the other musicians, especially during a duet between Reed and the singer known as Antony. On Candy Says, there is a back and forth between the otherworldly vocal style of the one and the grit and rasp of the other.


There’s even a band leader at the helm of a makeshift cabaret. And it’s hard to top the sheer sweep of the choir arrangement on Sad Song.


Berlin is Lou Reed at his best. Singing songs about people wallowing in, not only the filth and decay of the city but often of their very souls. The city can be Berlin; it can be NYC. It can be people living in the 1970’s or the 1870’s. It’s about people finding out who they really are, often at their lowest point. It’s dirty and it’s brutal and coming from Reed, you wouldn’t want it any other way.


from Berlin
from Berlin
Directed by Julian Schnabel, the film bears his distinctive look of colors and composition. There’s a constant stream of flickering images on a screen behind the band. The film is full of colors that call to mind, green oceans and late autumnal afternoons; a shadowy fishbowl of floating furniture and home movies. Reed himself gives an involved performance, throwing himself into the roles of the songs (as much as one can throw himself into the role of hopelessly detached; passive-aggressive characters.) There are a few songs taken from other albums to round out the performance. Sweet Jane stands out because it doesn’t really fit the rest of the piece and Reed has obviously grown bored with playing this crowd favorite. (For a humorous take on this, check out the live album Animal Serenade; where Reed turns Sweet Jane into an impromptu music lesson.)Album-wise, Berlin contains some of Reed’s best; most engaging work and the film is a great excuse to go back 35 years in time and make Berlin what it always should have been: a classic.

 

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