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Strange Girls -Review PDF Print E-mail
Written by Shawnta Smith   
Friday, 18 July 2008

from Strange Girls
from Strange Girls
Expect shock. Like that time your mom caught you with your pants down. In this elusively perverse coming of age story, sexuality is defiant, twins touch each other and of course, there will be blood! Helping me to grasp the entire concept of what was intended for this soon to be horror classic, writer and director, Rona Mark, indulged my interest in the telling of her experience making *Strange Girls *(2007).

 

Based in the cement-paved streets of Pittsburgh, Pennsylvania, there stands twin girls, who have developed a personal language, walk in silent synchronization, and seem zombie-like to the outside world in their forming of "two bodies-one mind". With anxiety-driven internal dialogue that lives inside of their shared mind, the tone mirrors the intensity of Nancy Meckler's, *Sister My Sister. *When alone, the twins indulge in fantasy, play, and mail order "DIY" cults. Attempts to separate the girls upon their dismissal from the local mental institution result in the death of anyone who dares to stand in their way. The film climaxes (in place of actual orgasms) on the brink of an uncontrolled sexual appetite that disrupts their internal bond.


Jordona Berliner and Andre Delawrence Rice
Jordona Berliner and Andre Delawrence Rice
Commendable about this not-G-Rated film was its colorful American landscape. Mark illustrates the realities of race as a non-issue, issue. "Pittsburgh is a segregated city. And since most of the halfway houses are often located in the poor areas, it's likely that when the twins were released, that's where they would be.... Of course their boyfriends were Black!" Oyo (Andre DeLawrence Rice) performed an accurate depiction of a Black teenage boy from Pittsburgh, raised by his older brother after their mom died. Marks even schooled me on Pittsburghese, saying she had to include the purveying women who just hung around all day: "we call them Yinzers... what else've they got to do!"


Window side and coffee in hand -with room for milk- at the East Houston Whole Foods cafe, Mark counted down, from the budget of $125,000, to a leading cast of 10, and finally a bunch of crew. Mark alluded to the crux of independent filmmaking: "What it takes? I charged half on my credit card, a practical nervous breakdown, and 5 years of production..." This all while most of her friends are off buying houses and having babies.


Out of Columbia University's film in 2000, *Strange Girls *is Mark's first feature. A horror film aficionado, Mark was able to truly contextualize horror by developing characters with back-story before they die, contrary to the traditional random killing of horror classics. Instead, tradition was rich in its gruesome plot twists and classic motifs. Mark's inclination to fulfill her dream seemed to marvel in her eye's deepest center when she blurted out, "I really just wanted to film a trepanation scene!" See if you can find the gross nature of John Waters, or the gallows humor of Hitchcock. 'Do It Yourself' or with a friend; unveil the many instances of "strange" in *Strange Girls*?


from Strange Girls
from Strange Girls
You'll find this as a fun film. It's not until it's over that you wonder why you didn't reach into your pants to touch yourself. It's cause there's too much going on. There's incest, fetishism, blood -was I the only one who didn't know that sugar was a primary ingredient for trepanation? -alternate realities, bondage, rope, leather, play, torture, (was that gum or semen) and even some juvenile depiction of familial love. And although it gives you the inclination, you are often too distracted to reach to your side to slightly caress your neighbor!


Strange Girls is holding it's New York premier at the Anthology Film Archives, Tuesday, July 22nd at 8:15pm as part of the New Filmmakers Series. Bring a date. I'll be there!


 

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